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Book Name: The Dhammapada - The Way of the Buddha, Vol 3Previous     Next
 

story says she is still trying to find... but Ugliness is cunning and goes on escaping. Ugliness is still in the clothes of Beauty, masked as Beauty, and Beauty is moving in the clothes of Ugliness.

It is a tremendously beautiful parable.

All these things are so ugly that you cannot tolerate to be with them even for a single moment if you see their reality. So they don't allow you to see the reality. Jealousy pretends to be love, possessiveness creates a mask of love... and then you are at ease.

You are not befooling anybody else, Satya, but yourself.

Mulla Nasruddin was passing by the side of a cemetery. He saw a grave; on the grave there was a stone and on the stone was written: "I am not dead -- I am only fast asleep."

Mulla had a belly laugh. He said, "You are befooling nobody but yourself."

Satya, these things are not love. So what you know as love, what you have known up to now as love, will disappear. It has nothing of poetry in it. Yes, passion is there, but passion is a feverish state, passion is an unconscious state. Passion is not poetry. The poetry is known only by the buddhas -- the poetry of life, the poetry of existence.

Excitement, fever, are not ecstasies. They look alike, that is the problem. In life many things look alike and the distinctions are very delicate and fine and subtle. Excitement can look like ecstasy -- it is not, because ecstasy is basically cool. Passion is hot; love is cool, not cold but cool. Hatred is cold; passion, lust, is hot. Love is exactly in the middle. It is cool -- neither cold nor hot. It is a state of tremendous tranquility, calmness, serenity, silence. And out of that silence is poetry, out of that silence is song, out of that silence arises a dance of your being.

What you call poetry and passion are nothing but lies -- with beautiful facades. Out of your hundred poets, ninety-nine are not really poets but only in a state of turmoil, emotion, passion, heat, lust, sexuality, sensuality. Only one out of your hundred poets is a real poet.

And the real poet may never compose any poetry, because his whole being is poetry. The way he walks, the way he sits,

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