Main Index
 
 
Book Name: The Ultimate Alchemy, Vol 1Previous     Next
 

Someone is listening to music; then no analysis is needed. Of course, if you are a critic, then you will not be able to understand music. You may be able to understand the mathematics, the meter, the language, everything about music -- but never music itself; because music cannot be analyzed. It is a whole. It is a totality. If you wait for a single second to analyze it, you have missed much. It is a flowing totality. Of course, paper music can be analyzed, but never real music when it is there, playing. So you cannot stand aloof, you cannot be an observer. You have to be a participant. If you participate, only then do you understand.

So with feeling, the way of understanding is through participation. You cannot be an observer, you cannot stand outside. You cannot make music an object. You have to flow with it, you have to be deeply in love with it. There will be moments when you will not be and only music will be there. Those will be the peaks; those moments will be the moments of music. Then something penetrates to your deeper being. This is a deeper way of listening, but it is still not the deepest.

The first way is through reason -- rational; the second is through feeling -- emotional; and the third is through being -- existential. When you listen through your reason, you are listening through one part of your being. Again, when you listen through your feeling, you are listening through one part of your being. The third, the deepest, the most authentic dimension of listening, is through your totality -- body, mind, spirit -- as a whole, as a oneness. If you understand this third way of listening, only then will you be able to penetrate the mystery of the Upanishad.

The traditional term for this third listening is "faith". So we can divide: through reason the method is doubt; through feeling the method is love, sympathy; through being the method is faith, trust -- because if we are going into the unknown, how can you doubt? You can doubt the known, but that which is not known at all -- how can you doubt it?

Doubt becomes valid if it is concerned with the known. With the unknown, doubt is just impossible. How can you love the unknown?

Previous Page (3/384) Next Page
 
Go to page: